“I feel like most of that expectation was within the team and driven by us,” she stated. This made the 2022 season very highly anticipated, one with high expectations and even higher standards - two things Brough was well aware of in moving across the Atlantic to Cambridge. “Without the other 25 girls around me, the season wouldn't have even happened.”īrough and other first-years on the team began their first season with the Crimson following a tremendous, history-making 2021 season by Harvard field hockey where it made it to the Final Four of the NCAA tournament, losing in a double overtime heartbreaker to Northwestern, who went on to win the entire tournament. “Field hockey is a team game,” the Uttoxeter, England native said. Despite this, she hands off most of the credit to her team. Leading the team in games played (17), games started (17), goals (12), shots (73), game-winning goals (3), and overall points (25), the defender was at the heart of each game in the 2022 season. But if there is, that’s what the story is about.Coming into collegiate athletics, an uncomfortable adjustment for many Division I athletes is no longer being in the starting lineup, playing in every game, or racking in the most minutes played.įor Bronte-May Brough, a first-year on Harvard’s top-notch field hockey team, it was quite the opposite. “And if we know emotional success can still happen in this world, if it can go well, we can worry a little bit more as Joel and Ellie move through this story because if there’s no chance it goes well, then no one cares much. They had a great life together,” Mazin said. I mean, it ends sadly, but it’s a happy ending as far as I’m concerned. “One of my goals was to show that there was a way to win. But Mazin told TIME that he wanted to change Bill and Frank’s story to raise the stakes for Joel and Ellie’s journey. Frank runs away from Bill and dies by suicide, leaving a hate note for Bill. In the original story, Bill and Frank get into a bitter fight. That episode was the biggest divergence from the game.
Despite spending his entire life identifying as a survivalist, he winds up deciding to die along with his loved one, a radical and in some ways beautiful transformation. Kathleen leads her army into slaughter at the hands of the infected in pursuit of vengeance of her brother.Īnd yet Bill, a loner, only finds happiness once he finds Frank. He’s so distraught by the turn of events that he then turns the gun on himself. After Sam becomes infected, Henry must shoot him. It’s just that making that choice-and pinning the entirety of your identity to one other person-often has dire consequences. Henry rats out revolutionaries to FEDRA to help his younger brother Sam Kathleen (a creation of the show) risks the lives of her entire army to go after the one man, Henry, who she blames for her brother’s death Bill will burn the living and undead alike to protect his love, Frank.Įarly in the series, Tess tells Joel, “Save who you can save.” It’s an individualist motto suited to the post-apocalypse where few communities survive, let alone thrive. Again and again, characters in the show choose to save the one person they love even if it means betraying their values. And over the course of nine episodes, it primed its audience for just such an ethical quandary.
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The series had to find other ways to emphasize the gravity of Joel’s decision. Sign up for More to the Story, TIME’s weekly entertainment newsletter, to get the context you need for the pop culture you love For those who have already played the game, Joel’s rampage through the hospital might not hit quite as hard. He doesn’t hem or haw over moral quandaries. Pedro Pascal’s version of Joel doesn’t hesitate before acting.
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The Last of Us TV show has not strayed far from the game throughout its run, and in the final episode it continued to hew closely to its source material.
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